Japan Travel Blog

A Father and Son’s Bike Adventure Across Japan - Part 1

In the summer of 2009, my 8-year-old son, Sho, and I set off on our own to ride connected bicycles the length of mainland Japan, covering about 2,500 miles in 67 days. We visited 9 World Heritage Sites, cycled over mountains, along coastlines, through virtually uninhabited stretches of countryside, and in major metropolitan areas. Japan offers some incredible places to explore by bike. At the end of this article, we compiled a list of recommendations for anyone interested in cycling Japan. It’s a great way to see the country!

My wife, Eiko, is Japanese, and works for the United Nations. I am American (born in Nashville, Tennessee) and work for Intel. We live in New York City with our son Sho and 3-year-old daughter Saya. Sho and I can speak Japanese fairly well, which was a big help on the trip. But you do not have to speak Japanese to bike around the country, since many people can speak some English.

Calling the ride “UNite to Combat Climate Change – Ride Japan,” we created a website (www.japanbikeride.com) and used publicity from the effort to raise awareness about the need to address climate change and to raise money for the United Nations’ Billion Tree Campaign. The campaign’s goal is to plant 7 billion trees worldwide in 2009. The United Nations Environment Programme named us “Climate Heroes” for this effort. As a result, our adventure was featured in newspapers and magazines around the world.

Sho and I started riding on June 25th at Cape Soya, the northern tip of Hokkaido, and arrived at Cape Sata, the southern tip of Kyushu, on August 30th. As far as we know, Sho became the youngest person ever to ride a bike the length of Japan. Many people we met were shocked that an 8-year-old would attempt such a thing and equally suspicious of me for encouraging him to try it. We just told them, “A kid can do a whole lot more than many people think!”

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Cape Soya, the northern tip of Japan, on the first day of the ride

On a typical day, we rode for a total of 6 or 7 hours, taking regular breaks to eat, make friends with strangers, explore interesting sites, throw a ball or just rest. We usually did not know where we would sleep that night, preferring to allow for impromptu course changes and discoveries. We often slept in our tent, but sometimes stayed in ryoukan (traditional Japanese inns), small hotels or a Buddhist temple. One time, we reached the top of a mountain in the Japan Alps as the sun was setting, and found an empty hiker’s hut to provide shelter for the night. We also slept in the homes of friendly locals, who treated us to delicious meals and lively conversation.

To be continued in the next issue…

Inaka: My Home Sweet Home (Part 2)

In the last issue, I introduced Chiiori, which is well-maintained Japanese house with a thatched roof that is almost 300 years old. Chiiori is located in Iya, one of the most secluded regions in Tokushima. In the last sentence of the article, I wrote, “I strongly recommend visiting Chiiori if you are interested in traditional Japanese country life,” which prompted many of our savvy readers to send me questions, such as “Can you be more specific?”

Luckily, I know someone who might be the best qualified to tell readers about Chiiori and the Iya region. Mr. Paul Cato is an American and living in Chiiori, and I had a chance to interview him for this issue. Here we go!

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First of all, please tell me what made you come to Japan.
I first came to Japan a few years out of college as an English teacher looking for adventure. At that point, I’d never had a full-time job, and I’d never lived outside of Georgia. I had studied history in college, and I’d taken one course on Japan, but I didn’t have any special interest in Japanese culture. I just wanted to go somewhere exciting and new.

How long have you been in Japan? How do you feel now?
I’ve lived in Japan for 4 years now and can see what a lucky choice I made. Although much has been discarded, Japan still has a strong connection to the values of the past. I think the genuine kindness and humility that impresses visitors to Japan stems from that connection. Japan is a quirky place. But in a world of free-market globalization, I think that a patient visitor will find that the quirkiness is just the surface of a rich national character that is very dignified.

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When did you come to Iya?
I came to Iya at the end of 2007. It had been a tough year for me and I was searching for a way out of my rut. I was not a particularly outdoorsy person when I moved into Chiiori, but I figured that I could learn what I needed to. I did not plan to stay for more than a few months.

I’ve just now passed my two-year anniversary of living in Iya, and the experience has been life-changing. I learned that every day has a season, and that every person can get something different from a night in the mountains. I have drastically improved my fire-making skills, but my tea-brewing still needs work. And I learned that that rich dignity of the Japanese still has a stronghold among the people of the mountainous countryside.

It is obviously hard to get to Chiiori even for local people in Tokushima. What sort of foreigners come to Chiiori? And what do they seek and do there?
Travelers who come to Chiiori are good, low-maintenance types looking for a connection with Japan’s past, in a natural setting. They include backpackers, university students, DINKs (dual incomes, no kids) and spunky old ladies. We do get the occasional family (which is always great), but we ask that children under 6 not stay overnight at Chiiori due to the rough terrain and lack of nearby medical facilities. We can recommend some great nearby hotels.

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We get a lot of Japan repeaters, who have seen Tokyo, have seen Kyoto, and now want a taste of something less refined and more genuine. These include many foreign residents of Japan who have heard about Chiiori through the books of Alex Kerr. Folks who have experienced the wonderful weirdness of Japanese cities, and are now looking for the roots of the culture.

They are sometimes disappointed that we have a big fridge and wireless Internet, but I remind them that we are trying to make Chiiori comfortable and relevant to the modern world, not just play “Renaissance fair”. If people want to see authentic thatched-roof houses they can go to Shikoku Mura in Takamatsu. Those houses are the real deal, only relocated… and totally empty. I’m trying to live over here, you know! But anyway, I think people come to Chiiori because of the serene views they see in photos and read about in guides, and they stay 2 extra days because of the high-speed wi-fi.

That said, I hope that guests will put down the Blackberry and discover some Japanese roots, not just in the black rafters and paper lamps, but also in conversations with the local people. Iya people are really unique among the Japanese. They don’t treat foreigners as delicately. We are just clumped together in the general category of ‘lowlander’, and not fussed over as much. It’s refreshing to be spoken to in Japanese, and be expected to keep up, instead of the pained English that Tokyo-ites feel compelled to use with us. Besides, Iya dialect is unintelligible, even for Japanese, so the locals are used to the bewildered looks and are very good at sign language.

Last word, please.
I would invite anyone to come to Iya Valley. It’s a steep, dramatic landscape. And although the scars of public construction have damaged some of the scenery, the heart of the people still hold lessons that we can all learn.

Kusuo Yasuda’s Former Home

Every time I’m in Tokyo I’m amazed by how many new skyscrapers have popped up, and I wonder, what did they have to demolish to build them? But Tokyo has always been about rebuilding and renewal. Back in the days of the Shogun, when homes were built of wood, fires were rampant, and rare was the person who didn’t lose his home at least several times in his lifetime. The past century was no kinder, with the 1923 Great Kanto Earthquake and then World War II leveling vast swaths of the city.

It’s rare, therefore, to find intact traditional neighborhoods in Tokyo like those that draw the crowds in Kyoto, Takayama, and Kanazawa. It’s even more rare to find a traditional wooden home in Tokyo open to the public.

Thus it was that I was delighted to discover the Former Kusuo Yasuda Residence this past summer, built in 1919 for Yoshisaburo Fujita, a leading businessman who wanted a home suitable not only for his large family but also for entertaining. Although it looks rather small and modest from the street, the 6,430-square-foot home is much more than first meets the eye, extending long behind the front façade into a garden and even with a second floor. Still, it proved too elegant and delicate a place to raise his five children (at least, according to the site’s English brochure), prompting Fujita to build another larger house nearby. The Great Kanto Earthquake struck just before they could move, but luckily both homes were spared.

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Entrance to Kusuo Yasuda Residence

Not so fortunate were Zenshiro Yasuda and his wife Mineko, who, having lost their home in Nihombashi to the devastation, bought Fujita’s residence and made it their own. Remarkably, the Yasuda family occupied the house for the next 75 years. But even more astounding, they had so much respect for the architectural integrity of the structure that they left it mostly intact, changing almost nothing.

Today, The Former Kusuo Yasuda Residence, at 5-20-18 Sendagi about a 7-minute walk from Sendagi Station, provides a rare look at early 20th-century Japanese architecture, albeit an elegant one with some unique architectural details. The main Genkan (foyer), reserved for important guests and the head of the household, is designed after the formal entrance of a samurai residence, while an informal entrance to the right was for the immediate family, relatives and friends. In addition to a Japanese-style drawing room with an hearth for formal tea ceremonies, there’s also a Western-style drawing room with furniture original to the house, including a piano and Victorola.

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A view of the garden

My favorite room is probably the kitchen, state-of-the-art when it was built, with skylights and a central island with a sink, gas stove, icebox and cellar for storage. The bathroom contains a hinoki (cypress) tub, as well as a rare floor-level sink in the dressing area, presumably for women kneeling to wash long hair fashionable at the time. Upstairs is the grandest room of all, an airy tatami room that overlooks the garden.

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The kitchen

The house also contains a small fallout shelter, built for protection during World War II. Luckily, the house escaped the repeated air-raid bombs that devastated most of Tokyo, but it almost didn’t survive the 1990s, when Kusuo Yasuda, Zenshiro’s eldest son, died at the age of 95. Faced with a huge inheritance tax, his widow, Yukiko, saw no other choice than to sell the property for the tax settlement. Luckily, a group of volunteers who were active in the area’s historic preservation learned of her dilemma and helped her donate the house to the non-profit Japan National Trust in 1996.

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Volunteers keep the residence open to the public

Meanwhile, the home’s restoration is on-going (more than 180 tatami mats alone had to be replaced) and at present it’s open only twice a week, on Wednesday and Saturday from 10:30 am to 4pm. But for a home that survived an earthquake, a war, and possible demolition, the future looks good. Like I said, there aren’t many houses like this left in Tokyo. A hundred years hence, might it be the only one?

Path of the Daimyo

In July 2009 I picked up my 14-year-old son in Hiratsuka following his Sister City home-stay experience and took him with me while I worked on the latest update of my Frommer’s Japan. A skateboarder, with little patience for high-brow museums and a no-way, no-how attitude toward sushi, Johannes isn’t the type for action-packed days racing from one attraction to the other. So I planned an itinerary based on his laid-back style. We even hit a few skate parks, admittedly a first for me.

After spending a few days in and around Tokyo, where among other places we visited Ueno Zoo, the free observatory in Shinjuku’s TMG, the John Lennon Museum, and a skate park in Maihama, we lit out for the Japan Alps. This scenic region is home to some of my favorite small towns and villages in the country-Takayama (where we found another skate park), Shirakawago (he liked the thatched farmhouses), and Matsumoto (the castle was a winner). But his absolute favorite part of our trip was a hike in Kiso Valley, on the old Nakasendo Highway. And why not? After all, we were following in the footsteps of feudal lords and samurai. What teenager wouldn’t find that cool?

Located between Nagoya and Matsumoto amidst the towering peaks of the Japan Alps, Kiso Valley served as a natural passageway through the mountains for the Nakasendo Highway, one of two official roads linking Kyoto with Edo (present-day Tokyo) during the Edo Period (1603-1867).

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The Nakasendo Highway follows this stream

Of the 11 post towns that sprang up along the old highway in the Kiso district, Tsumago and Magome are the best preserved. A five-mile pathway that follows the old Nakasendo Highway links them.

We started our hike in Magome, where old inns and souvenir shops line both sides of a steep slope. Within an hour we reached Magome Pass, highest point of the three-hour hike and providing scenic views of the wood-covered hills. After that we found ourselves walking comfortably through dense woods and bamboo groves, past paddies and old wooden homes, and along a rushing river.

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Magome

During our hike I explained to Johannes that long ago, long before trains, planes and paved roads, travel in Japan was on foot and far from easy. Volcanic in origin, Japan is mostly mountainous, with slopes so steep that ascending them is sometimes like climbing a tree. Travelers of yore, therefore, stuck to valleys wherever they could, not only because it was easier but also because they had to. In feudal Japan, even trave
l was strictly regulated.

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Johannes at Magome Pass

If you had been a feudal lord (or daimyo) during the Edo Period, I told Johannes, you would have found yourself hiking to Edo (present-day Tokyo) every two years by order of the shogun. In addition to your home in the province, you would have had to maintain a residence also in Edo, where family members were required to reside year-round as virtual hostages (”That sucks,” was Johannes’ response). The shogun knew what he was doing: by requiring you to travel back and forth and maintain two homes, you didn’t have the time, money, or inclination to wage war against him.

You wouldn’t have been the only daimyo on the road. In the 17th century there were as many as 270 daimyo in Japan, all traveling to Edo every other year. To accommodate them, a system of highways, checkpoints, and post towns sprang up throughout the land. And since daimyo didn’t travel alone but rather with an impressive entourage of samurai retainers, personal servants, and footmen carting palanquins and possessions, it must have been quite a sight to witness these nearly constant processions trekking over Japan’s mountainous terrain.

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An old house we passed on our hike

It was easy to imagine all this as we hiked. Johannes surmised what he’d do if a samurai suddenly appeared (he’d run, leaving me in the dust). For Johannes, the prize attraction during the hike was two waterfalls, possibly the longest this Kansas boy has ever seen. For me, however, the real gem of Kiso Valley is Tsumago. This tiny village looks much like it did in the Edo days, with narrow roads and traditional wooden homes. Two inns once serving the needs of daimyo now show how the upper crust lived, while a museum displays the history of the region.

And to think that Tsumago almost slipped into oblivion. In 1911, a railroad was built through Kiso Valley that bypassed Tsumago by a few miles. That spelled disaster for a town that had depended on travelers for its livelihood, but decades of neglect are probably what ultimately saved it. In the late 1960s, restoration began, and in 1971 a charter was agreed upon that stated no building in Tsumago could be “sold, hired out, or destroyed.” Of all the towns I’ve covered for Frommer’s Japan over the last 20 years, Tsumago remains the least changed.

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Tsumago

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A woman makes hats in Tsumago

Johannes and I stayed overnight at Fujioto Ryokan, a delightful 100-year-old traditional inn on Tsumago’s main street. It boasts a nice Japanese garden and pond, pleasant tatami rooms and delicious meals featuring local delicacies. What makes this place a standout, however, is its English-speaking owners, Yohei Fujihara, third-generation innkeeper, and his daughter, Sayaka. Not only are they knowledgeable about the region, but they can also explain in detail about the bounteous meals served, ranging from river fish and carp sashimi to Shinshu beef cooked on magnolia leaf.

“Do you want to know what this dish is before or after you try it?” Sayaka asked, a twinkle in her eye.

Glancing at my son, I said, “You better tell us after.”
My son, after tasting it, conceded it was ok.
And what was it? Wasp larvae.

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View from our room at Fujioto Ryokan

“That will give you boasting rights in school,” I said.
The next day we headed back to Tokyo, and a few days later, at the airport, my son, who never displays any obvious signs of affection, surprised me by putting his arm around me and thanking me for the trip. He said his favorite things were the John Lennon Museum and the Nakasendo hike.

Both, I think, convey the same message: to slow down, connect with what’s going on around us, and revel in the journey itself.

Kanazawa – A Shopper’s Paradise for Traditional Crafts

Kanazawa is justifiably famous for its spectacular Kenrokuen garden and traditional geisha and samurai historic districts, but what also impresses me greatly about Kanazawa (and surrounding Ishikawa Prefecture) is the striking quality and quantity of its traditional arts and crafts. In fact, only in Kyoto can you find as varied craftsmanship with a longer history. But whereas Kyoto’s traditional crafts were inspired by the imperial court that called Kyoto home for more than 1,000 years, Kanazawa’s crafts arose in the land of the samurai. They owe their heritage to the remarkable Kaga clan, which ruled the region for some 300 years.

In 1583, Toshiie Maeda, a retainer of the famous military genius Nobunaga Oda, was granted control over the region as the first Kaga feudal lord. He then set about transforming the small community into a thriving castle town. Over the next several hundred years, spanning 14 generations, the Kaga clan remained the second-most powerful family in Japan and controlled the largest domain in the country. Their wealth, in the form of both land and rice, was legendary. With no wars to wage, they poured their resources into the development of the arts, creating an unprecedented flourishing feudal art scene.

Today, Ishikawa Prefecture boasts 36 different traditional arts and crafts, with approximately 400 craftsmen plying their trade. While each of these crafts can be regarded as works of art in their own right, what strikes me most is that they are not just art for art’s sake. Rather, they are beautiful things that can be used in daily life, including things that can be worn or used for dining, playing and praying. Even more remarkable, many of these skills have been passed down from generation to generation.

The best place to gain an appreciation for the prefecture’s varied arts is at the Ishikawa Prefectural Museum of Traditional Arts and Crafts, which not only exhibits all 36 of the prefecture’s arts and crafts but also describes the often painstaking methods in which they are created. Among the most well-known works are Kutani porcelain, Kaga Yuzen silk dyeing, Kanazawa gold leaf, Kanazawa Ohi ware, and both the Kanazawa koto (Japanese zither) and Kanazawa shamisen (three-stringed instrument).

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An artisan at the Kaga Yuzen Traditional Industry Center
demonstrates the painstaking craft of handpainting designs

But there are many other wonderful crafts as well, including various types of lacquerware, Buddhist altars, wickerware, umbrellas, candles, traditional toys, Taiko drums, candles, and even fireworks. Kaga Ushikubi Pongee is a textile so strong, it is said that even if it’s caught on a nail, the fabric won’t tear but rather will pull out the nail. You won’t find a more beautiful fishing rod than the one produced here, made from young bamboo that is heated at high temperature to make it tough and then further strengthened with coatings of Urushi lacquer. Add Kaga’s decorative fishing flies, using feathers of various wild birds for the lure, and it’s almost enough to make me want to take up the sport. Luckily, the decorate flies are also fashioned nowadays into jewelry.

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This hand-painted plate at Kutani Kosen Pottery Kiln displays the
distinctive five-color glazes of green, yellow, blue, purple

What I also find fascinating is that behind every ware there’s a story. Take, for example, Ohi ware. Its story begins in 1666, when the founder of the Urasenke style of tea ceremony was invited to Kanazawa by the Kaga clan. He brought with him Chozaemon Toshiro Ohi, a master at making the pottery used in the tea ceremony.

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This hand-painted plate at Kutani Kosen Pottery Kiln displays the
distinctive five-color glazes of green, yellow, blue, purple

Through the centuries, his descendants continued the tradition of forming shapes by hand, without use of a potter’s wheel, right down to the present 10th generation, Chozaemon Toshiro Ohi, who has become one of the most influential ceramists in Japan. The Ohi Museum displays works of generations of the Chozaemon Toshiro Ohi family, while a shop sells both traditional and contemporary works by both Chozaemon Toshiro Ohi and his son.

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Kaga Mizuhiki, ceremonial chords fashioned from brightly colored strands of starched paper, are displayed

There are shops everywhere in Kanazawa where you can buy Ishikawa’s famous goods. After learning how much effort it takes to produce each item, usually by hand, you’ll understand why prices are high. Purchase a piece of Kutani ware or a vase covered in gold leaf, and you are taking home a visual reminder of Kanazawa’s remarkable history.